The Tampa Music Conference is taking over the Tampa Bay Area next month! We couldn’t be more excited. If you’re wondering why you should attend the conference, we’ve got you covered.
Here are the top 4 reasons to attend the Tampa Music Conference:
Learning new industry trends is one of the best reasons to attend the Tampa Music Conference. There will be two panels, Marketing and Industry Insights, where industry experts will be sharing best practices for generating more revenue from your music, giving real-world advice, and talking about the future of the industry.
Beyond the panels, you’ll learn by observation and through discussions.
The Tampa Music Conference is one of the most affordable music conferences in the nation! There aren’t many music conferences that you can learn about new trends, meet industry leaders, and network with other local artists. Right now, you can pre-register for only $35! Registration will be $50 at the door.
The music business is all about networking and building lasting connections. The Tampa Music Conferences gives you the chance to make true personal connections rather than staying behind email, phone, or messaging. Meeting industry leaders and other local artists face-to-face gives allows you to build a real connection, and over time, trust.
The Tampa Music Conference is one of a kind. It gives local artists the chance to increase their exposure, learn new things, build lasting connections for an affordable price. You definitely do not want to miss out on this year’s conference!
If you haven’t purchased your ticket yet, there’s still time! Visit here for more information.
This post was originally featured by our friends at Sonicbids.
One of the best things about social media is meeting new people. While not every platform is created for that – we all feel a bit uncomfortable when we receive friend requests from people we don’t know on Facebook – there are plenty of sites these days that are made for strangers to connect. Myspace (remember that?) was one example, and Twitter is a more relevant one. LinkedIn is the most professional option, and one where connecting with someone you barely know – or don’t know at all – is almost universally accepted.
So, since most people are okay with that sort of thing on LinkedIn, why not take advantage of it? You may not have an opportunity to meet some people in person just yet, but you can at least reach out to them digitally. Networking is one of the single best things you can do to further your career (whatever that may be), and doing so with the right people can make all the difference. But who should you connect with, and how do you find them? Here are four groups of folks you should add immediately, and where to find them.
Industry-linked conferences can be a great way of simply learning who is in the business you want to be a part of, and where they rank. If somebody is speaking on a panel or is simply attending the event, you may want to do some research and learn more about them.
For example, when I came back from SXSW last year, I spent some time looking through the list of attendees in the back of the official program and adding many new people on LinkedIn, even if I hadn’t actually met them. Just so you know, I think only a handful of people didn’t accept my request, and I think it’s safe to assume that many of those are people who simply don’t check their accounts very often.
How these people were involved in the music world ranged quite a bit, and I didn’t discriminate too much when clicking the “+” button. After all, can you really have too many connections?
This one is especially helpful if you’re in a band, though it can’t really hurt no matter who you are. Forming a relationship with important writers in your field can be a great way to get the message out there about what you’re doing.
Sure, bands and companies can hire PR firms and publicists to do this, but when journalists get pitches from friends or acquaintances as opposed to someone they don’t know, it means a lot more – which increases the chances of you getting some press out of it.
Think of this as your wish list of people you wish you knew. Don’t be afraid to go all out here, because there basically are no consequences. Want to message the CEO of Spotify? Sure, go ahead. Wish you could grab a coffee with an A&R rep at Columbia Records? Give it a try – they might just hear you out!
Even if you request some big shot and that person doesn’t accept, so what? As mentioned before, there’s little to no thought given to the randomness of requests sent and received on LinkedIn, and I personally have never heard of anyone being upset by such a thing.
Here’s a somewhat obvious one, but not everybody does it. This can be everyone from co-workers at your last job to the person who ran the company at your first internship. I’ve reconnected with old friends and colleagues via LinkedIn, and if nothing else, it’s nice to say “hi.” Outside of catching up, these people can be very valuable, as they know your work ethic best. Once connected, you can ask them to endorse you for certain skills or even write you a short recommendation – if you ask really nicely.
Like in the real world, those who aren’t afraid to go out and meet new people on social media are typically those who succeed, so go for it! You never know who you’ll end up meeting and what will come of your newfound friendships.
\\ Source Symphonic Blog //
As many tech-savvy musicians have discovered, social media platforms are great venues to not only communicate with fans, but also to connect with music industry influencers like bloggers, publicists, and music supervisors who can help move your career forward. The problem, however, is that many musicians who try to use social media to connect with these people are going about it all wrong. While some imagine social media as a magical vending machine that spits out industry contacts when we feed it automated messages, the truth is that connecting with people on social media takes much more perseverance and creativity than many of us are willing to invest. We’ve put together a few tips for musicians trying to make connections on social media with industry leaders.
Many people in the industry are careful about giving away their email address, which is why direct messages on social media can be such a valuable tool for musicians. However, sending someone a direct message doesn’t in any way entitle you to a reply, and messaging that person over and over asking if they got your message certainly won’t increase your chances of getting a response. Instead of flooding someone’s inboxes with unwanted messages, try building a relationship with that person on social media before you send them a direct message. Comment on their posts, retweet their tweets, and don’t be afraid to offer a compliment (as long as you really mean it). If someone is already aware of you (and the nice things you’ve said about them), they’ll be much more likely to respond to your message in the first place.
How many times have you seen a comment like this on a YouTube video, Facebook page, or other online message board: “Hey, cool post! Check out our latest album (insert album title here) on iTunes!” Not only do these comments look like they’ve been posted by a robot, they’re also often found in places that have nothing to do with the type of music the band plays, or even music in general. Commenting can be a great way to increase your online presence and make connections, but only if you comment thoughtfully on posts you’ve actually interacted with. Spamming message boards will only serve to either make you look desperate or get you kicked off the message board.
When many people think about social media, they think about what they can get out of it. How many followers can they get? How many much engagement can they get on each post? How can they use it to connect with the right people? The problem with this approach is that it doesn’t help you become someone other people will want to connect with. Think about it: wouldn’t you rather connect with someone who has been friendly to you or helped you in the past rather than someone who only talks about themselves?
One of the best ways to put someone off immediately is to spell their name wrong when you send them a message. It can also be similarly (although perhaps slightly less) off-putting when you get other basic details about someone wrong like the name of the company they work for or the city they live in. Doing your homework is important not just for avoiding this type of embarrassment; it’s also an opportunity to impress people with your knowledge of their work. For example, rather than starting a message with something like “Dear (insert name here), my band has a great new album out that I think you should listen to,” try something like “Dear (name), I really enjoyed the music you chose for the film (insert movie title here). I thought the song you chose for the final scene highlighted the message of the film in a really beautiful way.” Showing that you’re aware of a person’s previous work (and dropping a compliment while you’re at it) shows that you’re serious about making connections, and you’re probably a nice person to talk to as well.
One of the most difficult things to grasp about social media is that making connections takes time. In the same way that it can take years to build up a list of engaged followers, it can also take a long time to establish meaningful relationships on social media with the people you want to connect with. After all, you don’t become best friends with someone after talking to them for five minutes at a party, so why would you expect someone to become your friend online if they’ve never interacted with you before? Developing real connections on social media takes patience, but the people you meet online in an authentic way will be the people who stick with you the longest and do the most to help your music career.
The beauty of using social media to develop connections is that we can do everything from behind a computer screen or from a device in the palm of our hand. This convenience, however, also creates a dangerous falsehood: we forget that the people we’re talking to are real people, just like us. In order to make your online interactions more real, it can help to think of every interaction as a face-to-face interaction. Think about how you would talk to someone if you met them at a party or networking event. You would probably want to be polite, helpful, and even funny if the situation called for it. So why treat social media any differently? After all, all we’re really doing on social media is talking to people, so why would your social media conversations be any different than real life conversations?
\\ Source Symphonic Blog //
The Art of Networking in the Music Industry: the Tampa Music Conference is all about networking. Networking is a blanket word, and different people have different approaches to it.
Too many of us leave conferences with a hazy memory of faces and a bunch of business cards of people we don’t remember. You swarm the big-name panelists along with thirty other eager hopefuls, confidently approach the hot-shot speakers, but maybe they won’t accept your card and act completely disinterested in what you’re saying. You meet countless participants, exchange cards and some casually random banter you hardly remember. You followed up with every single person on the cards… but you receive little to no response. The conference passes over as if it never happened. Life moves on. What did you spend that multi-hundred-dollar ticket for anyway?
Sound familiar? Picture this instead:
By the end of any conference, rather than leaving with social exhaustion and a stack of business cards of people you barely remember, you should ideally walk out of the building with 15 new friends laughing on your way to the bar. You know their hometowns, their opinions on the latest [insert hot artist] album, and you know this is just the beginning of a long, beautiful, and mutually beneficial relationship. (And you should still have the business cards of the people remember in your bag.)
Perhaps this is pushing it, but hopefully you get the point. Too many people approach conferences from a sales perspective. Networking isn’t about forced-selling yourself to strangers. It isn’t about finding people who can help you out. Networking is about building meaningful relationships with people. The relationships you build have a greater chance of translating into a label/publishing deal, a new business partner, etc. than the 100 business cards you collected.
When you dress impeccably, you will feel like you own the room, which often translates into you actually owning the room. First impressions are everything. You may stumble upon a professional in the industry that really matters and first impressions can make or break a situation.
Appearance is one thing, but also dressing up your business cards and marketing/promotional materials is absolutely essential. Invest in branding USB drives with your artist or band logo/name. There are several companies that exist to help with this. Make sure that within the content you include a PDF with a bio, a gracious & concise note, links, and information on how to get in touch with you. And if you’re still on the CD train, just remember a) not to actually write on it, brand it up; and b) new Macs do not come with CD drives.
Sounds harsh and/or cliché, but someday, we’re all going to die, and what you did at this conference will not matter. What will matter is if you befriended the person who eventually introduced you to the person who got you a record deal which jumpstarted your prolific music career, which in turn inspired the world to give you a funeral of the likes of Michael Jackson. So don’t be afraid to approach people you don’t know. Even more important, don’t get star-struck by the people you see as more “important” than you. We’re all humans.
Get to know people on a personal level before ever trying to sell something. Smile. Relax. Be genuinely interested in the individual and what they’re saying. Make sure your brain is wired to ingest a lot of information – name, where they are re based, what company they are with, their profession, favorite band, and more. And for Pete’s sake, remember everything. If after a conversation you feel the need to write down on the card a quick brief on the individual, take a bathroom break and do it. You’ll thank yourself later.
When introducing yourself, do not begin with a sales pitch or a lengthy, wordy speech about yourself, your work, your life, you, you, you. Ask the other person questions. Focus on the person with whom you’re speaking. Really, truly listen. Make him/her feel important. Then let the individual ask you what you do.
Remember Tom Chiarella’s brief in Esquire on practicing graciousness: “When wandering the world, forget your business cards. Don’t look for more contacts. Instead, observe. Say hello to the people you see every day, but don’t make a fetish out of it. Stay interested in others. It bears repeating: Look around. Remember names. Remember where people were born.”
In the words of the wise Dale Carnegie, “Remember that a person’s name is, to that person, the sweetest and most important sound in any language.” Repeat it once in your conversation, and always bid goodbye by calling the individual by his/her name. Most importantly, don’t let yourself forget the name immediately, so that you have to ask the person, “What’s your name again? So many faces today!” This does not make him feel important. You will impress her if you are the one who remembers.
If you approach a person who doesn’t seem to be of much potential benefit to you now, don’t immediately brush him/her off. Evolution comes into play; you may be able to use his or her services in the future. There may be someone close to you that may be interested in those services.
If you and a person are hitting it off, stay there and chat for a while. Don’t rush off to meet the next contact. If you already feel like BFFs, get the person’s number and invite him/her to meet you for coffee after the next panel. Foster a better relationship with the people you click with immediately.
Conferences usually have mingling areas for networking, and meetings often happen in the same area. Be bold, but do not approach a clearly enclosed group of people. Observe setting, seating, and body language. If these indicate a set-up meeting between two or more people, do not approach. They will consider it rude. There is a distinct line between confidently approaching a group casually mingling in conversation and rudely interrupting a clearly private meeting.
Make friends with the people on your level – the start-ups, assistants, composer/songwriter peers, burgeoning bands, etc. As you progress together through your first jobs/promotions/record deals, you’ll work together, guide one another, and hook each other up. Eventually one of you will be a VP/VIP. Then you all will be directors, VPs, VIPs – you get my drift – who can help each other out. So at any conference, don’t put all your energy into seeking out the established, big-name personnel. Divide your time wisely. Take time to foster personal connections with your peers and colleagues, because those will carry with you for a long time.
It’s vital to make good use of the time and money you have spent attending this conference. Connect with them on LinkedIn. If you consider yourself friends with any of the individuals you meet, especially around your age, don’t be afraid to friend them on Facebook. In your follow-up email, do not contact someone unless you truly feel you could both be of mutual benefit to one another in some way, now or in the future. If you don’t ask something very specific in your email, the person will not know what to do with the email, especially if it was sent to their work email, and will delete it. Send them an email with purpose – perhaps with something to consume, such as a Dropbox link to 3 of your top tracks. And of course, don’t make your email a novel. Be concise and relevant. If you hit it off with the person, perhaps pick up the phone and call. This makes more of a statement.
\\ Source Symphonic Blog //